watched #Sarkar3……the major problem with the GodFather genre is the story and charachterizations gets repeatable and predicatable. after the first installment of Sarkar, various filmmakers makers have tried to exploit it and the genre is beaten to death!!
with RGV going back to Sarkar….many of us would have expected him to give a new angle & definition to the genre…..unfortunately he doesnt and thats where i see lot of negative reactions just because the expectations were too high!!!! I would bet the movie (taken as it is) would have become a good hit if RGV was not associated, such is the expectation on him
on that note….Sarkar3 has all the elements that are required for the genre. Powerful & Philosphical Oneliners, Shopisticated Business Men, Corrupted Politicians, Slow Camera Moments, Weird Camera Angles and our own Govinda Govinda Goooovinda!!!!!
RGV did directional justification to the movie, but being the 3rd part of the movie…..ppl are accustomed to Subash Nagre’s Black Dress, White Beard and Silent Killer Looks and the Govinda Govinda BGM, hence as audience we definetly miss the WOW factor which we experienced watching Sarkar for the very first time.
From past few years, RGV has completly lost his golden touch ( in audience perspective) in film making & focusing on social media controversies…..with Sarkar3 though he is not back home, he has definetly found way back!!!
PS : considering RGV’s contribution…..he has worked and focused a lot these years on slow motions, camera angles and different types of camers. I think its time he should try to uncover something new in film making & story telling process which will awe the audience & film makers!!!!
Sarkar 3 — The Auditorium


Sarkar 3

Hindi
12 May 2017
Amitabh Bachchan, Amit Sadh
Yami Gautam
Ram Gopal Varma
Ravi Shankar, Rohan–Vinayak
Old Sarkar magic malli raledu... but Govinda BGM, Nagre aura, weird RGV angles and a few solid lines make this a decent return. Home ki raaledu, road మాత్రం dorikindi 😄











